adapted from the book Glastonbury - Maker of Myths
by Frances Howard-Gordon, published by Gothic Image of Glastonbury.
As with most things relating to Glastonbury, nothing is quite as it seems. Any attempt here to describe the culture or in any sense pin it down immediately involves sweeping generalisations. The truth remains elusive but for my purposes here, it will have to be subjective.
Regarded as the oldest and holiest of England's spiritual sanctuaries, Glastonbury has always had its pilgrims, the 'hippies' or 'New Age travellers' being merely current versions of the wild specimens of humanity who would have come here in ancient and medieval times. History has a way of repeating itself and just as Glastonbury was a pagan centre before it became a Christian shrine, so now the 'new pagans' have made their home here.
The spiritual revival of Glastonbury could be traced to the founding of the Theosophical Society in London in the 1880s. At that time many were influenced by strange yet inspiring tales brought back from India and various corners of the British Empire. It was rumoured that the West lacked all spirituality and was entirely given over to materialism, whereas the East was full of sages and spiritual wisdom. Madame Blavatsky, founder of the Theosophical Society, was inspired by Himalayan Masters, but Dr Anna Kingsford split with her to form the Hermetic Society in order to delve more deeply into the spiritual legacy of the British Isles.
Various magical orders with a Western approach followed suit, including the Golden Dawn and a ritualistic group calling itself the Liberal Catholic Church. The poets Tennyson and William Blake began to write about a new spiritual awareness in Britain and socialists as well as new occult groups began to see that our own British myths and legends have much to teach us. Both Blavatsky and Dion Fortune had resurrected the Goddess and the subject of Women's Mysteries, but it was Dion Fortune who finally wrote about Glastonbury as a centre of the Western mystery tradition. (See The Avalonians by Patrick Benham for details.)
Along with its reputation as a spiritual centre, Glastonbury was famous throughout the country in the 1920s for its culture. The National Festival Theatre of Music and Drama, which came to be known as the 'Glastonbury Festival', began on 5 August 1914 in the Assembly Rooms in Glastonbury. It was established by the British composer Rutland Boughton and became the model for art and music festivals such as Bath, Aldeburgh, Glyndebourne and subsequent rural festivals.
During his stay in Glastonbury, Boughton wrote a series of music dramas based on the Arthurian legends, a choral drama Bethlehem, The Queen of Cornwall and others including The Immortal Hour, which is based on Fiona Macleod's Celtic legend about a faery female and her human lover. Boughton put on performances of these and other works with his Glastonbury Players. In its heyday, patrons, visitors and performers included such cultural giants as George Bernard Shaw, Edward Elgar, Vaughan Williams, Thomas Hardy, D.H. Lawrence, T.E. Lawrence and John Galsworthy.
The Glastonbury Arts Festival was revived in 1996 and saw the performance by local Glastonians of the opera The Immortal Hour. Lunchtime concerts at St John's Church, evening concerts in various venues, son et lumiêre in the Abbey grounds, and an arts and crafts exhibition and fair were some of the events planned to take place yearly at this festival from mid-August to mid-September. The project did not last long, but its core intent of promoting the creative arts has instead been taken up by the annual Music and Dance Festival and the Classical Extravaganza in the Abbey, both happening each year in August.
Of course the hippies of the late 1960s had much to do with making Glastonbury famous for a whole new generation. With their nomadic instinct, new-found mysticism and quest for the meaning of life, they came to Glastonbury and the surrounding countryside, set up communes and craft workshops, and experimented with new ways of living.
Then, in 1971, the Glastonbury Fayre was held to celebrate the summer solstice. This was England's 'Woodstock'. It was the first of what became an almost annual event in the fields at Pilton five miles away from Glastonbury, and the views of Glastonbury Tor and the tales of magic and alternative lifestyles attracted a whole new wave of young people to settle in the area. Glastonbury was the perfect environment with its natural sanctuaries alive with myths and legends and, of course, the magic spell of its sacred landscape.
In the late 1970s there were few outward signs of alternative spiritual aspirations in the town, although spiritual groups like the Winds of Truth had met for years. The Glastonbury Fayre, full-moon meditations and the Gothic Image shop with its Mystical Tours of Glastonbury were the only obvious signs of another kind of thinking in the town.
The Assembly Rooms was restored and revived as an arts centre for the community in the early 1980s and in the 1990s it was purchased by a collective of Friends who continue to run it in a cooperative, community-spirited way. Gog Theatre played a large part in bringing the place to life with their theatre performances. Notable also were the spectacular mystery plays, Ariadne Productions, often with a cast of 50 people, produced by Kathy Jones in the late 1980s and early 1990s. It became home to the Gothic Relief Theatre, pantomimes and all kinds of community activities.
A host of New Age shops emerged in the 1980s, alongside vegetarian cafes and a wholefood shop, and the setting up of talks, lectures and workshops on spiritual matters.
In the late 1990s Glastonbury was a safe haven for the road-protest movement and for the camps movement, initially founded in Glastonbury in 1984 and now a national phenomenon, who came here for their 'tribal gatherings'. Glastonbury now hosts a younger generation and 'tribe' from the dance movement of the 1990s. The annual Glastonbury Symposium for Crop Circles and Signs of our Time, for crop-circle enthusiasts and esoteric thinkers, takes place annually in July, now in the Town Hall, together with the world-famous Goddess Conference in early August.
For more information on dates and venues, contact the Glastonbury Tourist Information Centre, The Tribunal, 9 High Street, Glastonbury, Somerset, BA6 9DP; telephone (01458) 83 2954 or fax 83 2949. Or visit the Glastonbury Circle information site
Druid gathering on the Tor
Beltane Celebration at the Chalice Well
Glastonbury Road Run 6 miles around the Tor
Vale of Avalon Vintage Vehicle Road Run early June
Glastonbury Festival of Contemporary Performing Arts much
more than pop music, at Worthy Farm, Pilton (last weekend in June)
Flower Festival in St John's Church (usually around John-Baptist day)
Church of England Pilgrimage to the Abbey solemn Eucharist at noon, procession to Evensong at 15.30 on a Saturday
Roman Catholic Pilgrimage, from Tor to Abbey the Sunday
Miracles at Glastonbury medieval-style plays in the Abbey ruins
Glastonbury Symposium - Crop Circles and Signs of Our Times Town Hall
The Goddess Conference Town Hall
Glastonbury Dance Festival various venues
Classical Extravaganza orchestral and modern music in the Abbey grounds
Children's Festival four days of fun and entertainment for children
Son et Lumière in the Abbey
Tor Fair traditional travelling fairground
Somerset Arts Week (SAW) Somerset artists and makers open their
studios and workshops to the public, with terrific talent on show
Equinox celebration, Chalice Well
Glastonbury Carnival huge illuminated procession (usually the second Saturday in the month)
Cutting of the Holy Thorn to send to the Queen for Christmas, by the vicar, mayor and schoolchildren in St John's churchyard
Frost Fair pre-Christmas fair on the High Street
Solstice Celebration Chalice Well
There is also a changing programme of events at:
Somerset Rural Life Museum exhibitions and demonstrations
Peat Moors Visitor Centre demonstrations and activities
Isle of Avalon Foundation talks and courses
Assembly Rooms Community Arts music, dance, theatre, events
Chalice Well quiet and contemplation
Glastonbury Abbey
Abbey Retreat House


